VISUAL RHYTHMOLOGY - diagnostics of emotional-imaginative blocks using picturesque MYROSTOCK paintings. The paintings of Dr. IGOR BENDITSKY reveal emotional-imaginative blocks that lead to emotional exhaustion and creative degradation. When compiling health programs for modern people, it is necessary to take into account that the natural rhythms of nature have been supplemented by man-made rhythms created by human hands, which introduce a serious imbalance into the natural rhythms of nature. Based on this, it is necessary to help a person find his own optimal rhythm of life, not only in the natural conditions that have changed since then, but also in the complex rhythms of a comfortable, civilized world. The Mirotok program forms an optimal rhythm for a person living in modern conditions. The complex program “Mirotok” includes visual rhythm therapy with paintings. Paintings make it possible, with the help of visual perception, to form creative processes to maintain the body in a stable state. The effect of visual perception is achieved due to the spatial representation of the whole picture in the vertical and horizontal direction of rhythmic processes. In the books “Methods of health prevention according to the advice of ancient sages” and “Health rhythms according to the MIROTOK program”, life rhythm is considered as a volumetric, spatial process, which in every a moment of life is regulated by adaptive forces, both within the body and by forces of external influence, for stable dynamic life support in nature and the information space. It is always necessary to understand that the force of influence of the human body on the information space will collide with the force of the information space itself, and every time a reasonable compromise will be achieved between internal and external processes. A person must be not a simple observer, but a conscious participant in these processes and understand that every moment In our life, everything changes, both inside the body and in the surrounding space around us. The power of the ancient sages was primarily based on the constant study of life processes, both between planets in the starry sky, and social and internal processes in the human body. This continuity in the perception of a single process in nature made it possible to associate slightly visible signs in nature with changes within the human body. By analyzing these signs, it is possible to determine the psychosomatic and emotional-figurative blocks of our body, it was possible to make a diagnosis, prescribe treatment and predict the further dynamics of changes in a person’s physical and mental state. We understand that for this it was necessary to treat nature with great love and believe in the Universe. I think that for a long time, doctors will master new techniques in treating patients, because the desire of a doctor to find an opportunity to help a patient is akin to a pioneer. The desire to improve treatment procedures to achieve better results requires constant study of ancient techniques and their use in the present day. The direction of human development is possible only through the stability of internal and external processes. The French physiologist Claude Bernard was the first to point out in science that the internal environment of a living organism, in order to maintain stability, must maintain its constancy despite any fluctuations in the external environment. Part of the external environment is a sea of different colors, both created by nature and through technical techniques. The impact of color on our body is enormous, but we do not know how to analyze the degree of influence of a color shade or combination of shades. But color is one of the components of our way of life; in combination with sound, smell, taste and tactile sensitivity we perceive the world. Understanding andmastering the effect of color on the body will help restore the rhythm of life. As you know, color is created by superimposing frequencies. And if you combine a set of rhythmic physical and breathing exercises, you can create an optimal rhythm that corresponds to the life rhythm of a given person at birth. The combination of colors forces a person to adapt himself to this overall rhythm, which is conveyed by the painting. Behaving in a certain way affects facial expressions, mannerisms, gait and lifestyle. The human psyche reacts to color effects by protecting our consciousness and develops adaptation processes to perceive an altered state. People have different reactions to exposure to the color spectrum. To combine reactions into a single system, M. Luscher introduces the concept of “type of behavior” and identifies four main types of color behavior, corresponding to the four main types of character. With the help of the complex influence of the MYROTOK (VISUAL RHYTHMOLOGY) program of painting and rhythmic gymnastics, this effect is achieved better and more stable. By restoring the optimal motor pattern and eliminating blocks, the effect of softly adjusting the rhythm of the entire organism as a whole is achieved. Each person has a dominant functional block, which is eliminated in a certain frequency mode. Painting works provide this opportunity for a step-by-step, gradual elimination of all blocks in the body. For a more pronounced result of the visual impact of the paintings, it is necessary to supplement the perception with the help of rhythmic gymnastics according to the “Mirotok” program. The life cycle in the body consists of two main processes: contraction and relaxation of internal organs, and when these cycles are disrupted, activity slows down, and subsequently stagnation and stopping of metabolic processes in the body’s cells occurs. The main causes of these disorders may be: mechanical obstacles to the flow of body fluids and the lack of a normal regulatory process that the central nervous system provides, in particular in case of disorders of the spine. To restore these disorders, there are two main rhythms - the creative rhythm (the creative process of individual development) and destructive rhythm (internal and external aggression) of a person. Ideally, only creative or only destructive rhythm does not exist; they are interdependent and are in certain proportions in relation to each other. If the rhythm of development is not harmonious, the formula will be different: 2 parts of the destructive rhythm and 1 part of the creative rhythm “RCP”. Now let’s add to these proportions the size and shape of a cone corresponding to the oscillatory movements of a person’s “top” during his life cycle at different periods of life. All these elements can be conveyed through rhythmic processes of combination of color, subject and form of paintings. Paintings according to the MIROTOK program allow a person to stabilize rhythmic processes with the help of visual perception. Each of the paintings affects a certain dominant part of the spine, from which there is a radiant effect on all parts of the spinal column and the entire body under the influence of a combination of color, subject and shape of the painting. Color and sound affect a person in accordance with his condition, temperament and evolution; and the proof of this is that a person often changes his predilection for color. It happens that at one period of life a person is predisposed to the color blue, and at another time he prefers the color orange. Some people love deep tones, while others are drawn to light colors. It depends on the temperament of people and the degree of their evolution. It is not only the degree of evolution that makes a person change his preference for certain colors and tones, but also different colors and tones help him in his evolution. Although it very often happens that a person considers a certain color or tone so important that he forgets what lies behind it, and this leads him to many superstitions, fads and fantasies. It is man who is the master of everything